Webdevelopment for Horst Arts and Music. Webdesign by Alliage.

Webdevelopment for Doel Festival, with Vrints-Kolsteren.

Webdevelopment for Transit Festival, with Vrints-Kolsteren.

Webdevelopment for Klub Dramatik Festival, with Vrints-Kolsteren.

Website for Brussels Street Photography festival, with Vrints-Kolsteren and Nicoló Oriani.

Website for Klub Dramatik, with Vrints-Kolsteren.

Webdevelopment for Doel Festival, with Vrints-Kolsteren. Photography by Stig De Block. Doel Festival is a collaboration between Paradise City and Klub Dramatik, both known for bringing people together in unlikely places, engulfed in an authentic and intimate experience, all the while hosting the best artists in contemporary electronic music on their stages.

Identity and website for LUMO architecten, at Studio 19.09. LUMO architecten is an architect firm that plays with light and shadows hence their name. To translate this into an identity, the concept of light and shadow was used in the logotype, which is dynamic like a shadow would be throughout the day.

Webdesign and development for Camion and Camionette. The website consists out of two separate scrollable pages for the lunchroom and restaurant.

Webdevelopment for Transit Festival 2022, in collaboration with Vrints-Kolsteren and Yanis Berrewaerts. The letters in this edition are split up by three columns or rows and change position by mouse movement or by shifting your phone from left to right using the phone accelerometer.

Webdevelopment for Creative Belgium. In collaboration with Vrints-Kolsteren and Yanis Berrewaerts.

Webdevelopment for Due Studio, a graphic design studio and type foundry in Italy. The website includes a custom built type tester for their typefaces.

Website for Federico Leggio, visual and motion designer from Sicily, Italy.

Website for 4B-KM, a radio channel broadcasting sounds recorded around our solar system.

After living in Belgium for four years I started to question the meaning of home. I always thought “home” could only be in one location but I found myself calling both my place in Belgium and in The Netherlands “home”. The two places I call home are connected by a railway. However the last 10 kilometers of the railroad to my hometown are abandoned. Between the last station, Hamont in Belgium, and the first station, Weert in The Netherlands there is no train service. The train stops in Hamont and returns, not completing the connection between my two homes. 
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Wondering what I was missing out on I started researching the area around the railroad that is abandoned by train services. Slowly but surely I found out about a lot of interesting things and history. Naturally I started arranging this information and slowly an encyclopaedia took shape. I used the encyclopaedia to rediscover the area around the abandoned railway that used to connect my current place of residence to my hometown.
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The encyclopaedia is like I am finding out about the missing link between my homes, and allowing me to complete the connection.

My masters project was focused around finding the connection between my hometown and living in Ghent. This typeface is one of the outcomes of that. The typeface is inspired by bicycle racks that I see at train stations on trips in between those places. The bicycle racks that inspired me often had questionable designs. Sometimes they had additions that did not make a lot of sense, the border between functionality and decoration was vague.

This typeface is exploring the border between function and decoration. The decorative element of the letters interfere with the readability. The letters are all made of one pencil stroke, based on bicycle racks that are bent from one long bar of steel. The name Geel comes from one of the stations that I drew inspiration from during traveling.

Posters for various events, event poster of digital discussion as artistic statement for the film Parasite, poster displaying all the coming movies for De Filmavonden, movie poster for In the Mood for Love and poster for 4B-KM.

Design for Matthias van de brul’s master thesis, research about the meaning of the deus ex machina in the tragedy of Medea by Euripides, Müller and Verhelst, and in his own theatre work.
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Since the thesis features numerous theater texts, that can not be separated over paragraphs, I differentiated the featured texts by turning them 90 degrees. This created a recognisable and interesting image, that was also used for the text on the cover and backcover, which folds inside and continues. 

Identity for artist Joran van Soest. The identity focuses on the art while creating a recognisable variable identity that features subtle visual changes to differentiate different exhibitions and collections.

Website for Joran van Soest. The website focuses on the art with minimal interference of the design.

Internship report for my internship at Vrints-Kolsteren. RAL7035 is a nod to the paint colour of the new studio floor.

4 billion kilometres is a reference to the distance between the earth and the most distant source of sound the radio channel broadcasts. That sound is a recording of various planets by Voyager 1, captured as it passed the planets, NASA then transformed that data into sound, allowing you to listen to a planet 4 billion kilometres away.

The design is centred around the sun, just like the planets in our solar system which orbit the sun. There are three different visuals.

Firstly as you cannot directly look at the sun, the design replicates the overexposure you experience and then the second visual, the shapes and colour you’ll see when you look back again. Then the third and last visual is the sun as how we cannot see it with our bare eyes.

Roze Aktiefront is a fictional protest group that aims to ban heterosexual intercourse to prevent epidemic overpopulation. They believe that the overpopulation crisis can be solved by stopping the problem at its core; heterosexual intercourse.